Sid Holt, executive director of the American Society of Magazine Editors, knows a thing or two about long-form journalism. He started his career in 1984 at Rolling Stone, where he rose to managing editor within six years. His crowded resume also includes a stint as editorial director of Us Magazine; editor-in-chief and executive vice president of Adweek Magazines from 1998 to 2004; chief editor of Editor & Publisher; and editorial director of VNU Business Media, whose digital and print portfolio includes Billboard and the Hollywood Reporter.
No one would have faulted veteran investigative reporter Les Zaitz if, after retiring from The Oregonian in 2016, he’d kicked back at his east Oregon ranch with his wife and watched the world go by. What did a man who’d covered the Mount St.
During his 44 years at The Washington Post, 17 of them as executive editor, Leonard Downie Jr. found himself at the nexus of historic events ranging from Watergate to 9/11 to the Clinton impeachment. Now, as the Weil Family Professor of Journalism at the Walter Cronkite School of Journalism and Mass Communication, he finally has the time to put it all down in his just-released personal memoir, “All About the Story: News, Power, Politics and The Washington Post.”
August 28th, 2020 • Featured, Quill Blog, Quill Archives
Pulling up anchors: Hiring broadcast talent in COVID-19 times
The pandemic forced lots of changes to the collection and presentation of TV news. Sources, instead of pontificating to a visiting reporter, now chime in from their home offices via Zoom. And anchors, instead of literally rubbing elbows with their peers on the studio set, are just as likely to broadcast from home as well.
August 13th, 2020 • Featured, Quill Blog, Quill Archives
Future of in-flight magazines remains up in the air
For decades, well-thumbed copies of inflight magazines were as much a fixture on commercial airliners as peanuts and absurdly tiny pillows. They typically nestled in seat-back pockets next to the barf bags, offering a few minutes of distraction to one of the most captive of captive audiences—fliers sealed inside a pressurized tube cruising at 40,000 feet.