Ken Ellingwood readily admits that the subject of his new book is not exactly a household name. But for anyone who believes mightily in the First Amendment, Elijah Lovejoy was a titan of its promise and protections. “First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery” is Ellingwood’s deeply researched story of a man in the 1830s who used the power of the pen to speak out firmly against the horrors of slavery, fighting back harder with every death threat and unruly mob who came after him.
A goal of American newspaper editors to achieve newsroom diversity that matched the racial and ethnic diversity of the country was considered so ambitious they set the deadline more than two decades out. Twenty years after the deadline, the goal still hasn’t been met, but the urgent need to do so remains, highlighted by the recent Atlanta-area killings of eight people, six of them women of Asian descent.
There’s no question that the arts criticism world is primarily a white world, with few BIPOC (Black, Indiginous and people of color) voices in the mix. Frustrated by that fact, Jose Solís, co-founder and co-host of the Token Theatre Friends podcast, decided to take matters into his own hands by creating the BIPOC Critics Lab, meeting for 10 weeks via Zoom with eight future critics from around the country.
When The New York Times Magazine writer Nikole Hannah-Jones pitched the 1619 Project to her editors last year, she didn’t know that people would drive 60 miles to get their hands on the issue the day it dropped or that a few thousand more would line the streets outside the paper’s office nearly two weeks later to snag a copy.
It’s really difficult to describe how distressing and exhausting the past week has been for many black people and black reporters — and far more difficult to explain why. But as a black man and a black journalist, I feel the need to try.
For decades, Ebony magazine provided something unique: a high-gloss, high-profile magazine focused solely on black America. While other magazines offered occasional glimpses into their lives, their heroes and their challenges, Ebony put African Americans and their stories on the cover and on every page that followed.
For 167 years, The New York Times has rigorously investigated important national and world issues and written about them with sophistication for a curious and cultured audience. There have been some serious breaches along the way, including the revelation in 2003 that one of its reporters had been fabricating details of stories and copying the work of journalists at other newspapers.
Jacqueline Thomas, an award-winning writer and editor, was once Washington bureau chief for The Detroit News. She’s appalled by the rhetoric against journalists coming from The White House these days and wants journalists to push back. “When I was a Washington bureau chief, I never had to deal with this many attacks from the White House,” Thomas said.
November 23rd, 2018 • Quill Blog, Quill Archives, Diversity, Diversity Toolbox
Covering social movements: Learn the community, relay context
Journalists and Baltimore residents have suggested ways to improve coverage of protests and social movements, such as those that followed the arrest and death of Freddie Gray in the city three years ago. Baltimore officers alleged Gray, a 25-year-old black man, had an illegal knife when they arrested him after a chase.
While researching a recent story for Mic on first-time voters, I wanted to talk to 18- and 19-year-olds across the political spectrum about their experience with the political system, and the issues and candidates they care about ahead of the midterm elections.
“It was 40 years ago.” “Take Joseph and Mary. Mary was a teenager and Joseph was an adult carpenter. They became parents of Jesus.” “There’s nothing wrong with a 30-year-old single male asking a 19-year-old, a 17-year-old, or a 16-year-old out on a date.”