There’s no question that the arts criticism world is primarily a white world, with few BIPOC (Black, Indiginous and people of color) voices in the mix. Frustrated by that fact, Jose Solís, co-founder and co-host of the Token Theatre Friends podcast, decided to take matters into his own hands by creating the BIPOC Critics Lab, meeting for 10 weeks via Zoom with eight future critics from around the country.
James Graham’s play “Ink” opened April 24 at Broadway’s Samuel J. Friedman Theatre. Quill asked New York-based arts journalist Martha Wade Steketee to take a look and report back. Here are her thoughts. Playwright James Graham’s “Ink” imagines tabloid emperor Rupert Murdoch’s origin story, rooted in a 1969 London we barely see, amidst London landmarks that are named but not evoked, told by characters sometimes half described.